Red Allen & Frank Wakefield 
The Kitchen Tapes
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01 – I’m Just Here to Get My Baby Out Of Jail
02 – Turkey in the Straw
03 – Down in the Willow Garden
04 – New Camptown Races
05 – Summertime is Past and Gone
06 – Bluegrass Breakdown
07 – Muskrat Song
08 – Catnip
09 – Crying Heart Blues
10 – I Can’t Forget Old What’s Her Name
11 – Are You Afraid To Die?
12 – Billy in the Lowground
13 – Over the Hills to the Poorhouse
14 – Bluegrass Stomp
15 – I’m Blue, I’m Lonesome
16 – Roanoke
17 – Nine Pound Hammer
18 – Well Enough Alone
19 – Paddy on the Turnpike
20 – Tis’ Sweet to Be Remembered
21 – Hey Mr. Mando
22 – Swing Low, Sweet Chariot
23 – Sweetheart You Done Me Wrong
24 – Talk to Your Heart
25 – Raw Hide

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SKU: DLACD-11 Category:

THE KITCHEN TAPES

Red Allen & Frank Wakefield

Lovers of traditional bluegrass won't want to miss The Kitchen Tapes, the first in the Acoustic Archive Series featuring rare recordings of artistic and historic merit. The Kitchen Tapes was recorded on the afternoon of April 11, 1963, in the Hyattsville, Maryland kitchen of bluegrass mandolin genius Frank Wakefield. There he and his partner, the legendary singer-guitarist Red Allen — two bluegrass masters in their prime — jammed freely for hours. Surrounded by their wives and kids, a reel-to-reel tape recorder and a strategically placed microphone, they played songs that embody the essence of bluegrass — "Nine Pound Hammer," "Over the Hills to the Poorhouse," "Bluegrass Breakdown," "Billy in the Lowground," "Down in the Willow Garden," "Raw Hide," plus Wakefield originals “New Camptown Races” and “Catnip” as well as 17 more!

Also present at this gathering were David Grisman and Peter Siegel, both 18-year-old New York University students and budding folk musicians who convinced Red and Frank to let them record an informal session for their learning and listening pleasure. The session proved to be a watershed event in both their careers. Siegel became a distinguished producer of great music for Elektra, Folkways and many other independent record labels. And Grisman (who literally wore out his copies of the tapes learning mandolin solos note-for-note) went on to produce and play on some of the finest acoustic recordings of the last three decades.

Dedicated to the memory of Red Allen, whose death on April 3, 1993, virtually marked the 30th anniversary of this recording, The Kitchen Tapes offers a rich, intimate glimpse of two great musicians making music for the pure joy of it. It is a must-have for anyone interested in traditional folk and bluegrass artistry.

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